The Konbaung dynasty (), also known as the Third Burmese Empire (တတိယမြန်မာနိုင်ငံတော်), was the last dynasty that ruled Burma from 1752 to 1885. It created the second-largest empire in Burmese history and continued the administrative reforms begun by the Toungoo dynasty, laying the foundations of the modern state of Burma. The reforms, however, proved insufficient to stem the advance of the British Empire, who defeated the Burmese in all three Anglo-Burmese Wars over a six-decade span (1824–1885) and ended the millennium-old Burmese monarchy in 1885.
Pretenders to the dynasty claim descent from Myat Phaya Lat, one of Thibaw's daughters.
An expansionist dynasty, the Konbaung kings waged campaigns against the Lushai Hills, Manipur, Assam, Arakan, the Mon people kingdom of Pegu, Siam, and the Qing dynasty of China—thus establishing the Third Burmese Empire. Subject to later wars and treaties with the British, the modern state of Myanmar can trace its current borders to these events.
Throughout the Konbaung dynasty, the Capital city was relocated several times for religious, political, and strategic reasons.
Alaungpaya's second son, Hsinbyushin, came to the throne after a short reign by his elder brother, Naungdawgyi (1760–1763). He continued his father's expansionist policy and finally took Ayutthaya in 1767, after seven years of fighting.
Bodawpaya acquired the western kingdoms of Rakhine State (1784), Manipur (1814), and Ahom kingdom (1817), leading to a long ill-defined border with British India. The Konbaung court had set its sights on potentially conquering British Bengal by the outbreak of the First Anglo-Burmese War.
Europeans began to set up trading posts in the Irrawaddy delta region during this period. Konbaung tried to maintain its independence by balancing between the French and the British Empire. In the end it failed, the British severed diplomatic relations in 1811, and the dynasty fought and lost three wars against the British Empire, culminating in the total annexation of Burma by the British.
The British defeated the Burmese in the First Anglo-Burmese War (1824–1826) after huge losses on both sides, both in terms of manpower and financial assets. Burma had to cede Arakan, Manipur, Assam and Tenasserim, and pay a large indemnity of one million pounds sterling.
In 1837, King Bagyidaw's brother, Tharrawaddy Min, seized the throne, put Bagyidaw under house arrest and executed the chief queen Me Nu and her brother. Tharrawaddy made no attempt to improve relations with Britain.
His son Pagan Min, who became king in 1846, executed thousands—some sources say as many as 6,000—of his wealthier and more influential subjects on trumped-up charges. During his reign, relations with the British became increasingly strained. In 1852, the Second Anglo-Burmese War broke out. Pagan was succeeded by his younger brother, the progressive Mindon Min.
Konbaung kings extended administrative reforms begun in the Restored Toungoo dynasty period (1599–1752), and achieved unprecedented levels of internal control and external expansion. They tightened control in the lowlands and reduced the hereditary privileges of Shan people saopha. They also instituted commercial reforms that increased government income and rendered it more predictable. Money economy continued to gain ground. In 1857, the crown inaugurated a full-fledged system of cash taxes and salaries, assisted by the country's first standardised silver coinage.
Mindon also tried to reduce the tax burden by lowering the heavy income tax and created a property tax, as well as duties on foreign exports. These policies had the reverse effect of increasing the tax burden, as the local elites used the opportunity to enact new taxes without lowering the old ones; they were able to do so as control from the centre was weak. In addition, the duties on foreign exports stifled the burgeoning trade and commerce.
Mindon attempted to bring Burma into greater contact with the outside world, and hosted the Fifth Great Buddhist Synod in 1872 at Mandalay, gaining the respect of the British and the admiration of his own people.
Mindon avoided annexation in 1875 by ceding the Karenni States.
Nonetheless, the extent and pace of reforms were uneven and ultimately proved insufficient to stem the advance of British colonialism.
The dynasty came to an end in 1885 with the forced abdication and exile of the king and the royal family to India. The British, alarmed by the consolidation of French Indochina, annexed the remainder of the country in the Third Anglo-Burmese War in 1885. The annexation was announced in the British parliament as a New Year gift to Queen Victoria on 1 January 1886.
Although the dynasty had conquered vast tracts of territory, its direct power was limited to its capital and the fertile plains of the Irrawaddy River valley. The Konbaung rulers enacted harsh levies and had a difficult time fighting internal rebellions. At various times, the Shan people states paid tribute to the Konbaung dynasty, but unlike the Mon lands, were never directly controlled by the Burmese.
The kingdom's peripheral coastal provinces; Arakan, Pegu, Martaban and Tavoy were administered by a Viceroy called a Myowun (မြို့ဝန်), who was appointed by the king and possessed civil, judicial, fiscal and military powers. Provincial councils ( myoyon) consisted of myo saye (မြို့စာရေး) (town scribes), nakhandaw (နာခံတော်)(receivers of royal orders), sitke (စစ်ကဲ) (chiefs of war), htaunghmu (ထောင်မှူး) (jailer), ayatgaung (အရံခေါင်း) (head of the quarter), and dagahmu (တံခါးမှူး) (warden of the gates). The Viceroy of Pegu was assisted by several additional officials, including an akhunwun (အခွန်ဝန်) (revenue officer), akaukwun (အကောက်ဝန်) (customs collector), and a yewun (ရေဝန်) (conservator of port).
The outlying tributary on the edges of the kingdom were autonomous in practice and nominally administered by the king. These included the Shan, Palaung, Kachin and Manipuri principalities. The tributary princes of these fiefdoms regularly pledged allegiance and offered tribute to the Konbaung kings (through rituals called gadaw) (ကန်တော့ပွဲ) and were accorded with royal privileges and designated sawbwa (စော်ဘွား) (from Shan saopha, 'lord of the sky') In particular, the families of Shan sawbwas regularly intermarried into Burmese aristocracy and had close contact with the Konbaung court.
The Hluttaw (လွှတ်တော်, lit. "place of royal release," cf. Council of State) held legislative, ministerial and judicial functions, administering the royal government as delegated by the king. Sessions at the Hluttaw were held for six hours daily, from 6 to 9 a.m., and from noon to 3 p.m. Listed by rank, the Hluttaw was composed of:
The Byedaik (ဗြဲတိုက်, lit. "Bachelor Chambers," with Bye stemming from Mon language blai (, "bachelor") served as the Privy Council by handling the court's internal affairs and also served as an interlocutor between the king and other royal agencies. The Byedaik consisted of:
The Shwedaik (ရွှေတိုက်) was the Royal Treasury, and as such, served as the repository of the state's precious metals and treasures. Moreover, the Shwedaik retained the state's archives and maintained various records, including detailed genealogies of hereditary officials and census reports. The Shwedaik was composed of:
and 3 classes of ceremonial officers:
The Lawka Byuha Kyan (လောကဗျူဟာကျမ်း), also known as the Inyon Sadan (အင်းယုံစာတန်း), is the earliest extant work on Burmese court protocols and customs. The work was written by the Inyon Wungyi Thiri Uzana, also known as the Inyon Ywaza, during the reign of Alaungpaya, the founder of the Konbaung dynasty.
Royal court life in the Konbaung dynasty consisted of both codified rituals and ceremonies and those that were innovated with the progression of the dynasty. Many ceremonies were composed of Hindu ideas localised and adapted to existing traditions, both Burmese and Buddhist in origin. These rituals were also used to legitimise the rule of Burmese kings, as the Konbaung monarchs claimed descent from Maha Sammata through the Shakya (of which Gotama Buddha was a member) and the House of Vijaya. Life in the royal court was closely regulated. Eunuchs (မိန်းမဆိုး) oversaw the ladies of the royal household and apartments. Inferior queens and concubines could not reside in the main palace buildings. Brahmins, generally known as ponna (ပုဏ္ဏား) in Burmese, served as specialists for ritual ceremonies, astrology, and devotional rites to Hindu deities at the Konbaung court. They played an essential role in king-making rituals, consecration and ablution ceremonies called abhiseka (ဗိဿိတ်). Court Brahmins (ပုရောဟိတ်, parohita) were well embedded in daily life at the court, advising and consulting the king on various matters. A social hierarchy among the Brahmins determined their respective duties and functions. Astrologer Brahmins called huya (ဟူးရား) were responsible for determining astrological calculations, such as determining the auspicious moment for the foundation of a new capital, a new palace, pagoda, or assumption of the royal residence, announcing an appointment, leaving a place, visiting a pagoda or starting a military campaign. They also established the religious calendar, prepared the almanac (သင်္ကြန်စာ), calculated upcoming solar and lunar eclipses, identified major festival days based on the lunar cycle, and communicated auspicious times and dates. A special group of Brahmins who performed abhiseka rituals were also selected as pyinnya shi (ပညာရှိ), appointed royal counselors.
Specific buildings in the royal palace served as the venue for various life ceremonies. For instance, the Great Audience Hall was where young princes underwent the shinbyu coming-of-age ceremony and were ordained as Pabbajja. This was also the venue where young princes ceremonially had their hair tied in a topknot (သျှောင်ထုံး). Elaborate Burmese New Year feasts took place at the Hmannandawgyi (Palace of Mirrors): on the third day of the New Year, the king and chief queen partook in Thingyan rice, cooked rice dipped in cold perfumed water, while seated on their throne. Musical and dramatic performances and other feasts were also held in that complex.
There were 14 types of abhiseka ceremonies in total:
Elaborate preparations were made precisely for this ceremony. Three ceremonial pavilions ( Sihasana or Lion Throne; Gajasana or Elephant Throne; and the Marasana or Peacock Throne) were constructed in a specifically designated plot of land (called the "peacock garden") for this occasion. Offerings were also made to deities and Buddhist parittas were chanted. Specially designated individuals, usually the daughters of dignitaries including merchants and Brahmins, were tasked with procuring anointing water midstream from a river. The water was placed in the respective pavilions.
At an auspicious moment, the king was dressed in the costume of a Brahma and the queen in that of a queen from devaloka. The couple was escorted to the pavilions in procession, accompanied by a white horse or a white elephant. The king first bathed his body in the Morasana pavilion, then his head in the Gajasana pavilion. He then entered the Sihasana pavilion to assume his seat at the coronation throne, crafted to resemble a blooming lotus flower, made of figwood and applied gold leaf. Brahmins handed him the five articles of coronation regalia (မင်းမြောက်တန်ဆာ, Min Myauk Taza):
At his throne, eight princesses anointed the king by pouring specially procured water atop his head, each using a conch bedazzled with gems white solemnly adjuring him in formulae to rule justly. Brahmins then raised a white umbrella over the king's head. This anointment was repeated by eight pure-blooded Brahmins and eight merchants. Afterward, the king repeated words ascribed to Buddha at birth: "I am foremost in all the world! I am most excellent in all the world! I am peerless in all the world!" and made invocation by pouring water from a golden ewer. The ritual ended with the king taking refuge in the Three Jewels.
As part of the coronation, prisoners were released. The king and his pageant returned to the Palace, and the ceremonial pavilions were dismantled and cast into the river. Seven days after the ceremony, the king and members of the royal family made an inaugural procession, circling the city moat on a gilt state barge, amid festive music and spectators.
The ceremony was held at the beginning of June, at the break of the southwest monsoon. For the ceremony, the king, clad in state robes (a Longyi with the peacock emblem ( daungyut)), a long silk surcoat or tunic encrusted with jewels, a spire-like crown ( tharaphu), and 24 strings of the salwe across his chest, and a gold plate or frontlet over his forehead) and his audience made a procession to the leya (royal fields). At the ledawgyi, a specially designated plot of land, milk-white oxen were attached to royal ploughs covered with gold leaf, stood ready for ploughing by ministers, princes and the kings. The oxen were decorated with gold and crimson bands, reins bedecked with rubies and diamonds, and heavy gold tassels hung from the gilded horns. The king initiated the ploughing, and shared this duty among himself, ministers and the princes. After the ceremonial ploughing of the ledawgyi was complete, festivities sprung up throughout the royal capital.
During this ceremony, the king was seated at the Lion Throne, along with the chief queen, to his right. The Crown Prince was seated immediately before the throne in a cradle-like seat, followed by princes of the blood (min nyi min tha). Constituting the audience were courtiers and dignitaries from vassal states, who were seated according to rank, known in Burmese as Neya Nga Thwe (နေရာငါးသွယ်):
There, the audience paid obeisance to the monarch and renewed their allegiance to the monarch. Women, barring the chief queen, were not permitted to be seen during these ceremonies. Lesser queens, ministers' wives and other officials were seated in a room behind the throne: the queens were seated in the centre within the railing surrounding the flight of steps, while the wives of ministers and others sat in the space without.
The Konbaung monarchs followed ancient precedents and traditions to found the new royal city. Brahmins were tasked with planning these sacrificial ceremonies and determining the auspicious day according to astrological calculations and the signs of individuals best suited for sacrifice. Usually, victims were selected from a spectrum of social classes, or unfortuitiously apprehended against will during the day of the sacrifice. Women in the latter stages of pregnancy were preferred, as the sacrifice would yield two guardian spirits instead of one.
Such sacrifices took place at the foundation of Wunbe In Palace in Innwa in 1676 and may have taken place at the foundation of Mandalay in 1857. Royal court officials at the time claimed that the tradition was dispensed altogether, with flowers and fruit offered in lieu of human victims. Burmese chronicles and contemporary records only make mention of large jars of oil buried at the identified locations, which was, by tradition, to ascertain whether the spirits would continue to protect the city (i.e., so long as the oil remained intact, the spirits were serving their duty). Shwe Yoe's The Burman describes 52 men, women and children buried, with 3 buried under the post near each of the twelve gates of the city walls, one at each corner of those walls, one at each corner of the teak stockade, one under each of the four entrances to the Palace, and four under the Lion Throne. Taw Sein Ko's Annual Report for 1902–03 for the Archaeological Survey of India mentions only four victims buried at the corners of the city walls.
Society also distinguished between the free and slaves (ကျွန်မျိုး), who were indebted persons or prisoners of war (including those brought back from military campaigns in Arakan, Ayuthaya, and Manipur), but could belong to one of the four classes. There was also distinction between taxpayers and non-taxpayers. Tax-paying commoners were called athi (အသည်), whereas non-taxpaying individuals, usually affiliated to the royal court or under government service, were called ahmuhtan (အမှုထမ်း).
Outside of hereditary positions, there were two primary paths to influence: joining the military (မင်းမှုထမ်း) and joining the Buddhist Sangha in the monasteries.
For instance, sumptuary laws forbade ordinary Burmese subjects to build houses of stone or brick and dictated the number of tiers on the ornamental spired roof (called pyatthat) allowed above one's residence—the royal palace's Great Audience Hall and the 4 main gates of the royal capital, as well as monasteries, were allowed 9 tiers while those of the most powerful tributary princes ( sawbwa) were permitted 7, at most.
Sumptuary laws ordained 5 types of funerals and rites accorded to each: the king, royal family members, holders of ministerial offices, merchants and those who possessed titles, and peasants (who received no rites at death).
Sumptuary regulations regarding dress and ornamentation were carefully observed. Designs with the peacock insignia were strictly reserved for the royal family and long-tailed hip-length jackets (ထိုင်မသိမ်းအင်္ကျီ) and surcoats were reserved for officials. Velvet sandals (ကတ္တီပါဖိနပ်) were worn exclusively by royals. Gold anklets were worn only by the royal children. Silk cloth, with gold and silver flowers and animal figures were only permitted to be worn by members of the royal family and ministers' wives. Adornment with jewels and precious stones was similarly regulated. Usage of hinthapada (ဟင်္သပဒါး), a vermilion dye made from cinnabar was regulated.
Captives from various military campaigns in their hundreds and thousands were brought back to the kingdom and resettled as hereditary servants to royalty and nobility or dedicated to pagodas and temples; these captives added new knowledge and skills to Burmese society and enriched Burmese culture. They were encouraged to marry into the host community thus enriching the gene pool as well. Captives from Manipur formed the cavalry called Kathè myindat (Cassay Horse) and also Kathè a hmyauk tat (Cassay Artillery) in the royal Burmese army. Even captured French soldiers, led by Chevalier Milard, were forced into the Burmese army. The incorporated French troops with their guns and muskets played a key role in the later battles between the Burmese and the Mons. They became an elite corps, which was to play a role in the Burmese battles against the Thai people (attacks and capture of Ayutthaya from 1760 to 1765) and the Manchus (battles against the Chinese armies of the Qianlong Emperor from 1766 to 1769). Muslim eunuchs from Rakhine State also served in the Konbaung court.
A small community of foreign scholars, missionaries and merchants also lived in Konbaung society. Besides mercenaries and adventurers who had offered their services since the arrival of the Portuguese in the 16th century, a few Europeans served as Lady-in-waiting to the last queen Supayalat in Mandalay, a missionary established a school attended by Mindon Min several sons including the last king Thibaw Min, and an Armenians had served as a king's minister at Amarapura.
Among the most visible non-Burmans of the royal court were Brahmins. They typically originated from one of four locales:
The Siamese captives carried off from Ayutthaya as part of the Burmese–Siamese War (1765–67) went on to have an outsize influence on traditional Burmese theatre and dance. In 1789, a Burmese royal commission consisting of Princes and Ministers was charged with translating Siamese and Javanese dramas from Thai to Burmese. With the help of Siamese artists captured from Ayutthaya in 1767, the commission adapted two important epics from Thai to Burmese: the Siamese Ramayana and the Enao, the Siamese version of Javanese Panji tales into Burmese Yama Zatdaw and Enaung Zattaw. One classical Siamese dance, called Yodaya Aka (lit. Ayutthaya-style dance) is considered one of the most delicate of all traditional .
During the Konbaung period, the techniques of European painting like linear perspective, chiaroscuro and sfumato became more established amongst Burmese painting style. Temple paintings from this period utilized techniques such as by casting shadows and distance haze on traditional Burmese styles. The Konbaung period also developed parabaik folding-book manuscripts styles that recorded court and royal acitivies by painting on white parakbaik.
In the earlier part of the dynasty between 1789 and 1853, the Amarapura style of Buddha image statuary art developed. Artisans used a unique style using wood gild with gold leaf and red lacquer. The rounder faced image of the Buddha from this period may have been influenced by the capture of the Mahamuni Image from Arakan. After Mindon Min moved the capital to Mandalay, a new Mandalay style of Buddha images developed, depicting a new curly-haired Buddha image and using alabaster and bronze as materials. This later style would be retained through the British colonial period.
This period also saw a proliferation of stupas and temples with developments in stucco techniques. Wooden monasteries of this period intricately decorated with wood carvings of the Jataka Tales are one of the more prominent distinctive examples of traditional Burmese architecture that survive to the present day.
Note: Naungdawgyi was the eldest brother of Hsinbyushin and Bodawpaya who was the grandfather of Bagyidaw who was Mindon's elder uncle. They were known by these names to posterity, although the formal titles at their coronation by custom ran to some length in Pali; Mintayagyi paya (Lord Great King) was the equivalent of Your/His Majesty whereas Hpondawgyi paya (Lord Great Glory) would be used by the royal family.
Thibaw's third daughter Myat Phaya Galay returned to Burma and sought the return of the throne from the British in the 1920s. Her eldest son Taw Phaya Gyi was taken by Imperial Japan during the Second World War for his potential as a puppet king. Japan's efforts failed due to Taw Phaya Gyi's distaste of the Japanese and his assassination in 1948 by Communist insurgents.
After the death of Myat Phaya Lat, her grandson-in-law Taw Phaya became the nominal Royal Householder. Taw Phaya was the son of Myat Phaya Galay, the brother of Taw Phaya Gyi and the husband of Myat Phaya Lat's granddaughter Hteik Su Gyi Phaya.
Upon Taw Phaya's death in 2019, it is unclear who serves as the Royal Householder. Soe Win, the eldest son of Taw Phaya Gyi is assumed to be the Royal Householder as there is little public information about Taw Phaya's children.
Architecture
Religion
Rulers
1 Sīri Pavara Vijaya Nanda Jatha Mahādhammarāja Alaungpaya Future Buddha-King village headman 1752–1760 Founder of the dynasty and the Third Burmese Empire, invaded Ayutthaya. 2 Siripavaradhammarāja Naungdawgyi Royal Elder Brother son 1760–1763 Invaded Ayutthaya with his father. 3 Sirisūriyadhamma Mahadhammarāja Rājadhipati Hsinbyushin Lord of the White Elephant brother 1763–1776 Invaded and sacked Ayutthaya, invaded Chiang Mai and Laos, invaded Manipur,
successfully repulsed four Qing dynasty invasions.4 Mahādhammarājadhirāja Singu Min Singu King son 1776–1781 5 – Phaungkaza Maung Maung Lord of Phaungka Younger Brother cousin (son of Naungdawgyi) 1782 The shortest reign in Konbaung history of just over one week. 6 Siripavaratilokapaṇdita Mahādhammarājadhirāja Bodawpaya Royal Lord Grandfather uncle (son of Alaungpaya) 1782–1819 Invaded and annexed Rakhine State, invaded Rattanakosin (Bangkok). 7 Siri Tribhavanaditya Pavarapaṇdita Mahādhammarajadhirāja Bagyidaw Royal Elder Uncle grandson 1819–1837 Invaded Ayutthaya with his grandfather, invaded Assam and Manipur, defeated in
the First Anglo-Burmese War.8 Siri Pavarāditya Lokadhipati Vijaya Mahādhammarājadhirāja Tharrawaddy Min Tharrawaddy King brother 1837–1846 Fought in the First Anglo-Burmese War as Prince of Tharrawaddy. 9 Siri Sudhamma Tilokapavara Mahādhammarājadhirāja Pagan Min Pagan King son 1846–1853 Overthrown by Mindon after his defeat in the Second Anglo-Burmese War. 10 Siri Pavaravijaya Nantayasapaṇḍita Tribhavanāditya Mahādhammarājadhirāja Mindon Min Mindon King half-brother 1853–1878 Sued for peace with the British; had a very narrow escape in a palace rebellion by
two of his sons but his brother Crown Prince Ka Naung was killed.11 Siripavara Vijayānanta Yasatiloka Dhipati Paṇḍita Mahādhammarājadhirāja Thibaw Min Thibaw King son 1878–1885 The last king of Burma, forced to abdicate and exiled to India after his defeat in the
Third Anglo-Burmese War.
Family tree
Pretenders
See also
Citations
Notes
External links
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